15 février 2025

Val Thorens 2025

Val Thorens, France

Val Thorens 2025

rdy2shred

TRACKLIST

Set1

Because it's there (CHLOE Algo cover)
Ere de jeu
Cafe glace
Cafe Bouillant
Sept1 (remix)
Sunny side Up

Set 2

🍳 Sunny side Up
🪂 Insouciance
🤍 So Good
PunkAChien
ACIDULE
Alerte Verte
Nouveau Punk
Nuit agitee
Blue Gold

~ BPM

110–170

# Tracks

techno ×3nujazz ×3breaks ×2dnb ×3lounge ×1punk ×1acid ×1110–170 BPM

01Because It's There110 BPMtechno

sample

"bassWarsaw"

Warsaw bass synth as melodic bassline in C#/G#/D#

pattern

note "[cs3@6 gs3 ds3]"

6-beat sustained C# with G#/D# resolution

effect

# crushbus 41 (range 16 2.5 "^53")

MIDI-controlled bitcrush for grit

sample

"ikedaBass"

Ryoji Ikeda-inspired bass pad with delay

technique

let gMask = (midiOn "^41" (mask "t . <f t f <f t>> <t f f <t f>>"))

MIDI-triggered masking for live build-up control

src: copycat/because_its_there.tidal

02Ere de Jeu110 BPMtechno

sample

"[808bd:1,808bd:2,jazz,kick:4]"

Layered kick: 808 + jazz kit + acoustic kick

pattern

note "[cs3 b3 <gs3!3 cs4> b3]"

Melodic bassWarsaw line with octave leap variation

sample

"vec1_acid:27"

Angel acid bass entering at bar 32

technique

$ midiOn "^57" (fix (fast "<4!3 [4 <4 4 2 4>]>") "vec1_acid:27")

MIDI-triggered acid acceleration pattern

sample

"nujazz_keys120"

Nu-jazz key loops with slice manipulation and freeze

src: live/midi/nova/techno/ere_de_jeu.tidal

03Cafe Glace120 BPMnujazz

sample

"nujazz_bass120:4"

Pre-recorded nujazz bass loop, sliced and chopped

technique

$ midiOn "^57" (slice 4 (fast 1 "<0!3 <1 3>>"))

MIDI-controlled bass slice variations

sample

"nujazz_keys120"

Piano keys with freeze and crush effects

sample

"jungle_breaks:53"

Chopped jungle break with stereo pan

structure

setcps(120/60/4)

120 BPM nujazz groove

src: live/midi/nova/nujazz/cafe_glace.tidal

04Cafe Bouillant120 BPMnujazz

sample

"nujazz_bass120"

Plucked bass with slow crush modulation via perlin noise

pattern

note ("e3 <b2!3 <ef3 g3>>" |+| "[0 ~ ~ 0 ~ ~ 0 ~] ...")

Melodic bassWarsaw with euclidean-like offbeat hits

sample

"cpluck:4"

Plucked string melody with cycling note additions

technique

$ someCyclesBy "<1!32 0!32>" (|+ note "<e g bf b>")

Probabilistic note transposition alternating every 32 cycles

sample

"jungle_breaks:22"

Stereo-panned jungle break with slice manipulation

src: live/midi/nova/nujazz/cafe_bouillant.tidal

05Sept1120 BPMtechno

sample

"rhadamanthe_melo:1"

Piano melody split into begin/mid/end sections

pattern

note ("<<[b3@5 a3 b3 a3] ...>> [e3@7 b3]>")

Cello-like bassline with long sustain and cpluck layering

technique

$ midiOn "^58" (# silence) $ slow 2 "<begin ~ begin ...>/2"

MIDI-gated piano section switching (begin/mid/end)

sample

"breaks165"

High-tempo breakbeat for energy injection

effect

# cps ((range 60 180 "^29")/60/4)

Real-time BPM control via MIDI fader (60-180 range)

src: live/collab/baba/sept1.tidal

06Sunny Side Up120 BPMlounge

sample

"sunny_bass"

Custom sunny bass sample with octave sub variations

sample

"sunny_brass"

Brass sample with slow deployment mask pattern

pattern

"acidOto3092" |- note 36

Acid synth line in F/G#/C/G with width modulation

technique

$ mask "<t f <f t> f>"

Progressive sample reveal over 4-bar cycle

sample

"nujazz_keys120:35/4"

Piano outro loop with slow slice deployment

src: live/midi/nova/lounge/sunny_side_up.tidal

07Insouciance120 BPMbreaks

pattern

note "<c3 c3 c3 c3 gs2 gs2 b2 b2>@5 ef3 d3 <ef3!4 c3!3 b2>"

Dark bassWarsaw line with chromatic descent

sample

"FMRhodes1"

FM piano bird call melody with modIndex modulation

sample

"armora:1"

Hawk percussion with high-pass filtered reverb

effect

# hpf (slow 8 $ range 5000 "<8000!32 800!32>" saw)

Slow HPF sweep on hawk sounds creating tension

sample

"trance_pads:7"

Atmospheric pad layer following bass harmony

src: live/midi/nova/beatober/oct_16_haunted_house_insouciance.tidal

08So Good142 BPMdnb

sample

"sogood"

Multi-sample pack: keys (sliced), voices, and chorus

pattern

note "<[f3 f3 gs3 f3@5] [<gs3!3 f3> gs3 g3 f3@5]>"

Dual bassWarsaw line: foundation + bouncing acid layer

technique

$ midiOn "^19" ((>| n "<~!3 [~ 11]>") . (# end "<0.2!3 0.45>"))

MIDI-triggered voice intro switching to chorus

sample

"cs80leadMH"

CS-80 lead synth melody ascending F-Gs-C-Gs-F-Ef-Cs-C...

structure

setcps (142/60/4)

142 BPM drum & bass tempo

src: live/collab/nass/sogood.tidal

09PunkAChien170 BPMdnb

sample

"vec1_acid:11"

Acid bass in D/D# with layered gain-controlled variants

pattern

note ("d*<3 4 3 2> . ds ds df" + 2)

Rhythmic acid pattern alternating between 3-4-3-2 divisions

sample

"meth_bass:9"

Lo-fi bass with progressive delay feedback build

sample

"cpluck:1"

Plucked synth with octave crush layering

structure

setcps (170/60/4)

170 BPM high-energy drum & bass

src: live/collab/raph/punkachien.tidal

10ACIDULE135 BPMacid

sample

"vec2_synth_acid" / "vec1_acid:40"

Dual acid synth layers with independent gain control

pattern

>| note ("[b d6 b cs6 d6 b cs6 b]*2" - "<0!32 12!32>")

Rapid acid note pattern with 32-bar octave alternation

sample

"rhadamanthe_vocal"

Self-destruction voice sample sequence with begin/end cuts

effect

# tremdp 4 # tremr 1.8

Bouncy tremolo droplet effect on FM piano lead

sample

"90s_synatm:21"

Synthetic violin with dual-voice ascending melody

src: live/collab/raph/acidule.tidal

11Alerte Verte160 BPMdnb

sample

"fbass:25"

Funky bass chopped into 16 slices with reverse variations

sample

"fguitar"

Dual guitar system: guitarA (surprise) and guitarB (wait)

technique

$ whenmod 16 14 (ply 2) $ every' 8 7 (ply 2)

Kick fill patterns at phrase boundaries

sample

"supersiren"

Siren synth with slow speed and amplitude modulation

effect

# leslie "^34" # lsize (1 + (slow 16 perlin * 2))

Leslie speaker effect on guitar with perlin-modulated size

src: live/midi/nova/dnb/alerte_verte.tidal

12Nouveau Punk155 BPMpunk

sample

"punk:0/4"

Punk guitar loop chopped into 4, crushed and reverbed

sample

"90s_synatm:9"

90s synth atmosphere with octave sub and crush

pattern

note "<e c d b4>"

Core harmonic progression: E-C-D-B

sample

"meth_bass:3"

Meth bass with progressive ply build-up

sample

"cpluck:2"

Manouche-punk cello pluck with arpeggiated triads

src: live/collab/raph/nouveau_punk.tidal

13Nuit Agitee160 BPMbreaks

technique

let scale = getScale (scaleTable ++ [("gameboy", [1,2,4,5,7,9,11])])

Custom 'gameboy' scale for retro melodic flavor

sample

"bass_commodore:7"

Commodore bass chopped into 64 slices with leslie modulation

sample

"harpsichord2"

Harpsichord melody using gameboy scale with distortion

sample

"amencutup"

Amen break cutup with MIDI-panned hat patterns

pattern

note (scale "gameboy" ("<1(3,8) ...>" + "<<0 0 2 2> ...>"))

Layered gameboy-scale melody with euclidean rhythm

src: live/midi/nova/breaks/nuit_agitee.tidal

14Blue Gold124 BPMbreaks

sample

"suns_keys"

Suns of Gold key samples with tremolo and slice manipulation

sample

"suns_guitar"

Triple guitar system: main, flying triplet, falling angel

pattern

$ fast (4/3) $ note "<[fs4 <a5!2 gs!4 fs5!4...>@3]*4>"

4/3 polyrhythm bassWarsaw line with shifting intervals

sample

"suns_voice:0"

Father's voice sample with slice-based phrase selection

technique

$ whenmod 32 16 (swingBy (slow 16 $ range 0.08 0.01 saw) 4)

Progressive swing reduction over 16-bar phrase

src: live/collab/mousquetaires/blue_gold.tidal